Randolph Scott Net Worth. Randolph Scott, an American actor who has appeared in a number of films, was born on January 23, 1898 in Orange County, Virginia. See Randolph Scott’s latest news and activities.
Learn more about him by learning his age, height, physical statistics, dating/affairs, family, and other personal information. This year’s income and expenditures are examined to see how wealthy He is. In addition, learn about Randolph Scott’s net worth accumulation.
Randolph Scott Wiki Biography
On 23rd of January 1898, in Orange County, Virginia, George Randolph Scott was born. From 1928 through 1962, he was one of the most recognized performers in Western cinema, appearing in more than 60 films throughout his 30-year career.
Films like “Belle of the Yukon” (1944), “The Doolins of Oklahoma” (1949), “Colt .45” (1950), and others were among his most well-known appearances. In 1987, he died.
At the time of his death, how wealthy was Randolph Scott? After retiring, Randolph became an investor, having interests in real estate, oil wells, securities, and gas; thus his wealth was undoubtedly enhanced. A portion of the money came from his acting career.
Who is Randolph Scott dating?
Both of Scott’s marriages resulted in children. He married heiress Marion duPont, daughter of William du Pont Sr. and great-granddaughter of Éleuthère Irénée du Pont de Nemours, the founder of the E.I., in 1936. Company Name: Du Pont de Nemours
Scott had served as best man at Marion’s previous wedding to George Somerville. Three years later, in 1939, the Scotts’ marriage ended in divorce. There were no children born to the couple. She kept his surname for over five decades after their divorce, until her death in 1983.
Scott married actress Patricia Stillman, who was 21 years his junior, in 1944. Sandra and Christopher, their two children, were born in 1950.
Scott maintained a low profile with his personal life despite becoming well-known as a motion picture actor. He was close friends with Fred Astaire and Cary Grant offscreen as well.
On the set of Hot Saturday (1932), he met Grant, and they went to live together in Malibu, where they lived in “Bachelor Hall” for 12 years. Scott and Grant split up in 1944, but for the rest of their lives, they stayed friends.
Scott developed an interest in acting in the late 1920s and decided to travel to Los Angeles to pursue a career in the film industry.
Scott’s father had met Howard Hughes through his work and had given him a letter of introduction to give to the eccentric millionaire filmmaker.
Scott was given a tiny role in George O’Brien’s Sharp Shooters (1928) as a retaliation for Hughes. The UCLA Film and Television Archive has a print of the film.
Scott worked as an extra and bit actor in a number of movies during the following several years, including Weary River (1929), directed by Richard Barthelmess with Richard Barthelmess, The Far Call (1929), and The Black Watch (1929) (directed by John Ford with uncredited appearances by Gary Cooper). In this latter film, Scott is said to have acted as Cooper’s dialect coach.
On Cecil B. deMille’s Dynamite (1929), Scott was uncredited. Born Reckless (1930) starring DeMille and Ford.
Scott made his film debut between his Pasadena Playhouse performances and Vine Street Theatre appearances.
Women Men Marry (1931), a film produced by a Poverty Row studio called Headline Pictures and starring Scott, Sally Blane, and others, was Scott’s first leading role. However, the Filmmuseum Amsterdam has apparently preserved a silent film by the same name from 1922, directed by Edward Dillon.
He went on to play a supporting role in a Warner Bros. picture. A Successful Calamity (1932), starring George Arliss.
20th Century Fox
Scott signed a contract with Fox after his Paramount contract expired. The film Jesse James (1939), about the renowned outlaw (Tyrone Power) and his brother Frank (Henry Fonda), was their choice for him.
As a sympathetic marshal after the James brothers, Scott was billed fourth; it was his first color picture.
In Susannah of the Mounties (1939), Temple’s final profitable picture for Fox, Scott was reunited with his wife.
After that, he moved to Columbia to star in a mid-budget action picture, Coast Guard (1939), which the studio gave him the lead in as Frontier Marshal (1939). He appeared in the war film 20,000 Men a Year (1939) at Fox.
After Errol Flynn and Miriam Hopkins, Scott went to Warner Bros. to make Virginia City (1940), in which he played a Confederate officer who was sympathetic rather than the actual villain, as Humphrey Bogart did.
Director Michael Curtiz and the actors had frequent disagreements about script revisions, which were quashed by producer Hal Wallis. “Randy Scott is a complete anachronism,” said Curtiz, remembering how Scott attempted to stay out of those conflicts.
He’s a fine guy, to say the least. He’s the only one I’ve encountered so far in this industry… Scott, according to Nott, Curtiz, and Scott got along well both personally and professionally, with one of the best performances of his career.
In the Irene Dunne–Cary Grant love comedy My Best Love (1940), Scott reprised his role as the “other guy” for RKO.
In When the Daltons Rode (1940), he co-starred with Kay Francis for Universal. Scott returned to Zane Grey territory with Robert Young in Fritz Lang’s Technicolor adaptation Western Union, which he co-starred in.
In this picture, Scott played a “great bad guy,” and he delivered one of his finest performances. The New York Times’ Bosley Crowther wrote:
Randolph Scott begins to resemble William S. as he grows older and wiser. Hart portrays one of the party’s scouts in this role, which is one of his most genuine and appreciated roles.
Scott co-starred in another western, Belle Starr, with a young Gene Tierney in 1941. Paris Calling (1941), a spy film starring Elisabeth Bergner, was released next.
In Universal’s The Spoilers (1942), based on Rex Beach’s 1905 novel about the Alaskan gold rush starring Marlene Dietrich and John Wayne, Scott had his sole chance as a truly nasty villain.
Universal hired the trio in Pittsburgh, a war-time action-melodrama, that same year as a result of Dietrich-Scott-Wayne’s partnership.
In both films, Scott was listed above Wayne, however Wayne played the heroic leading man while receiving more screen time.
Colt .45 (1950) was produced by Warner Bros. for Scott. His earnings were $100,000 per picture (equivalent to $1,100,000 in today’s dollars).
Sugarfoot (1951), Fort Worth (1951), Carson City (1952), The Man Behind the Gun (1953), Thunder Over the Plains (1953), Riding Shotgun (1954) were all directed by André de Toth, and he stayed at the studio to do them all.
Shootout at Medicine Bend, Scott’s final black and white picture, is also worth seeing, having been shot in 1955 but not released until 1957. James Garner and Angie Dickinson feature in the film.
Scott was 58 years old in 1956, and most major male actors’ careers were coming to an end. Scott, on the other hand, was in the midst of his best era.
Boetticher and Kennedy films
Seven Men from Now, a film written by Burt Kennedy in 1955 and intended to be directed by Budd Boetticher for John Wayne’s Batjac Productions, was set to be shot in 1955.
Wayne, on the other hand, had already signed with John Ford’s The Searchers. As a result, Wayne proposed Scott as a possible successor.
The completed picture, which was released in 1956, has since been regarded by some as one of Scott’s greatest films[citation required] as well as the start of a successful partnership that spanned seven pictures.
The Ranown Cycle, for the production company headed by Scott and Harry Joe Brown, who was engaged in their production, is a collection of films that are each independent yet have no related characters or settings. Four of them were written by Kennedy. …in these films, I play a guy who is very insecure.
Boetticher’s paintings, which were formally precise in structure and visually exquisite, exemplified the use of the California Sierras’ distinctive landscape.
Scott tempers their inherently dark perspective with quiet, stoical humor as he pits his wits against such charming adversaries as Richard Boone in The Tall T and Claude Akins in Comanche Station, playing the role of the hero of these “floating poker games” (as Andrew Sarris describes them).
Boetticher, Kennedy, and Scott reunited for The Tall T (1957), a film co-starring Richard Boone that was released after the 7th Cavalry (1956). Decision in the Sunset (1957) was the third in the series, although Kennedy did not write it.
Buchanan Rides Alone (1958) was the next installment in the unofficial series. While Boetticher directed it, Westbound (1959) is not considered part of the official cycle. Ride Lonesome (1959) and Comanche Station (1960), both written by Kennedy, were the final two books.
Last film: Ride the High Country
Scott’s last cinematic performance was in Ride the High Country in 1962. Joel McCrea, an actor whose image resembled Scott’s and who also focused his career almost solely on Westerns from the mid-1940s forward, co-starred with Sam Peckinpah in this film.
The film is characterized by a nostalgic recollection of the passing of the Old West, a preoccupation with male bonding emotionality, and a terroristic evocation of these preoccupations transmuted into brutal and perverse shapes.
Although Scott was billed above McCrea after the director tossed a coin over top billing that came up favoring Scott, McCrea’s role in the film is somewhat larger than Scott’s.
Randolph Scott Net Worth
Randolph Scott had a net worth of $100 million when he died. He was an American actor.
Randolph amassed an impressive portfolio of real estate, oil, gas, and stock investments after being a astute investor.
In January 1898, Randolph Scott was born in Virginia and died in March 1987. He was born in Orange County. From 1928 through 1962, Scott was active in the film industry.
He starred in social dramas, comedies, crime dramas, musicals, war films, adventure films, horror films, and fantasy films. He was most recognized as a Western hero.
Scott had a extensive acting resume, with over 100 credits. In 1928, he starred in Three Navy Rascals, which was his first film role. From 1950 through 1952, Scott was in the top ten of the annual Motion Picture Herald Top Ten Polls.
From 1950 to 1953, he was also a member of the Quigley’s Top Ten Money Makers Poll. During World War I, he was a member of the US Army’s service in France.
Hot Saturday, The Thundering Herd, Supernatural, Sunset Pass, Cocktail Hour, Broken Dreams, The Last Round-Up, Wagon Wheels, Home on the Range, The Last of the Mohicans, Go West Young Man were among the films in which he starred.
After his 1962 picture Ride the High Country, Scott quit acting. In 1997, he was awarded a Golden Boot In Memory Award.
On the 6243 Hollywood Boulevard, Scott was honored with a Star on the Motion Picture Walk of Fame. In the year 1960, he established his own company. On March 2, 1987, at the age of 89, Randolph Scott died.
Randolph Scott Salary Detail
Scott made his theatrical debut in 1932, in the Vine Street Theatre production Under a Virginia Moon.
Several major movie studios offered him screen tests as a result of his performance in this play. Scott eventually negotiated a seven-year deal with Paramount Pictures for $400 per week (around $7,500 today).
With Warner Bros., Scott produced Colt .45 (1950). His salary per picture was $100,000 (equivalent to $1,100,000 in today’s dollars).
Sugarfoot (1951), Fort Worth (1951), Carson City (1952), The Man Behind the Gun (1953), Thunder Over the Plains (1953) were all directed by André de Toth, and he stayed at the studio to do them.
Randolph Scott Death: and Cause of Death
Randolph Scott passed away on March 2, 1987, from non-communicable illness. He was 89 years old when he died. He was survived by a large network of friends and family when he died.
In 1987, at the age of 89, Scott died in Beverly Hills, California, of heart and lung ailments. Elmwood Cemetery in Charlotte, North Carolina, is where he was laid to rest.
He had been married to Patricia for 43 years. She passed away in 2004 and was laid to rest next to her spouse. In 2008, their mid-century modern home was demolished.
The UCLA Library Special Collections received the Randolph Scott documents, which include photographs, scrapbooks, notes, letters, essays and house designs.
[about westerns] Since the industry’s inception, they have been a staple. They’ve done nice things for me in the past. Everybody can see and appreciate westerns because they are a kind of picture. Westerns are always profitable. They also inevitably promote a star’s popularity.
Publicity makes me uncomfortable. David Belasco once said something that I’ve always remembered, and he’d included it in his performers’ contracts. “Never let yourself be seen in public unless they pay for it,” he said, according to his theory. That makes sense to me.
Garbo [Greta Garbo] was the most glamorous and fascinating star our business has ever had. Why? She kept herself hidden from the public because she didn’t want to be found. Each viewer formed his or her own image of who she was. Therefore, compare today’s other celebrities.
They aren’t a mystery at all. Whether they sleep in men’s pajamas and every intimate detail of their lives, the public knows what kind of toothpaste they use. I can tell who their press agent is based on the publicity they get.
About my career, I’ve always been a fatalist. It was destined to happen, no matter what. In my situation, it worked out that way. Both voluntary and involuntary retirement are part of my plans.
The impact of television is one reason, which is a voluntary factor. Honestly, making films no longer interests me since all old films are resurfacing on television. Another reason is that the film industry is suffering from a slump.
[on his mother] She was an old-fashioned Southern lady who always stated movies were not here to stay, and when my five sisters took her to a cinema for the first time, she exclaimed, “No!” Randolph couldn’t have done that. “This guy is older than Randy and isn’t that attractive.”
[on his brief marriage to heiress Marianna du Pont Somerville] Our divorce is completely amicable. It’s nothing more than a matter of being separated too much, which is incompatible with marriage.
[on his father] He went to see all of my films because he thought I looked like Wallace Reid, his favorite actor. [on his father] He went to see them because he had a son starring in them.